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Monfort, born in Barcelona, reinterpreted the glass paintings of 20th century Spanish modernists to reflect the urban life of Bangkok, where he has made home since 2009. The characters in Monfort's paintings contemporary people, the kinds of characters you might see on the street, in the underground or around any corner. Each of the characters he paints is looking for someone or something; they are charting their own path through life and, in some cases, they may be a little bit lost. How many times have you sat down next to a stranger or someone on the bus who has something in common with you? Have you ever speculated what that person's life is like? In his paintings, he invite viewers to create their own plots for these characters. As each different viewer imagines a future for each painted character, there may be contradictions, points of agreement and areas of conflict -- and so the paintings share something of the content of our lives as we move within a universe of stories. 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A lens reveals structures and shapes; against light, a hidden universe of organic, and even futuristic forms...a gateway beyond ordinary sight. Here within the lens mechanical marvels, a new series of abstract photographs by one of Thailand s most promising young photographers was born. This beautiful catalogue includes words by Thailand s most revered writer and poet, Phanomtien. 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This book is now a classic – a time capsule of the fast-changing decade in Bhutan.\u003c\/p\u003e\n\u003cp\u003eTibetan folksongs sometimes sing of beyul—hidden lands that can only be seen by those of pure heart and mind. Tucked into the towering peaks and steeply forested valleys of the Eastern Himalayas, the Bhutanese believe their country to be such a place.\u003c\/p\u003e\n\u003cp\u003eBhutan: Hidden Lands of Happiness is a geographical and cultural passage from the yak pastures along the Tibetan border to the rice lands in central Bhutan. Guiding the reader through the districts of Paro, Thimphu, Punakha, Gasa, Laya, Lunana, Wangdi, Bumthang and Trongsa, the book reveals remote hot springs and isolated hermitages and ends in the streets and nightclubs of the country’s capital, Thimphu Town. 108 black and white images narrated with stories, journal entries, folklore, dharma teachings and oral history create a portal across centuries. 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Soon waves of hippies, surfers and troubled Vietnam vets found their way to Taylor Camp and built a clothing-optional, pot-friendly tree house village at the end of the road on the island’s North Shore. In 1977, after condemning the village to make way for a ‘State Park’, government officials torched the camp – leaving little but ashes and memories of the ‘best days of our lives’. Powerfully evocative photographs from the Seventies reveal a community that rejected consumerism for the healing power of Nature, while the story of Taylor Camp’s seven-year existence is documented through interviews made thirty years later with the campers, their neighbours and the Kauai officials who finally evicted them.\u003c\/p\u003e\n\u003cp\u003eAbout John Wehrheim (Photographer\/Author of Bhutan: Hidden Lands of Happiness) Sent to Hawaii by the Sierra Club in 1969, John Wehrheim did a series of articles entitled ‘Paradise Lost'; and never went back to the Mainland. 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In Envol, in French means to fly off , Ploy traces her inspirations from when she first began to draw to her present collection, a successful collaboration with the famous Paris-based home décor brand Asiatides. Her drawings and paintings reflect strong persona of the subjects, with vibrant colors that capture their spirits. They are unconventional, inspired by her surroundings, including everyday objects, people, animals and flowers alike. Some motifs are a mix of East and West; her harmonious brush strokes are natural and alive. They are 'a catalogue of characters full of joie de vivre, colours and energy'. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003ePloy Chariyaves\u003c\/strong\u003e\u003c\/em\u003e is an artist-writer based in Bangkok, Thailand. She has published up to 15 books on breakfast, coffee and travel. She is currently a contributor for Vogue (Thailand) Online and Marketeer Magazine Online. 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The deep bonds between the works and the audience fuel her progress, pushing the boundaries of her explorations into new material and conceptual possibilities.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith an introduction by \u003cstrong\u003eRhana Devenport,\u003c\/strong\u003e Director of the Art Gallery of South Australia, three leading scholars in the field contributed their essays to this monograph. \u003cstrong\u003eGridthiya Gaweewong\u003c\/strong\u003e, Artistic Director of the Jim Thompson Art Center, explores Pinaree’s feminist intent and her roots in the Buddhist tradition — the matriarchal social structure and its symbolic reference — and her ability to infuse them into the international contemporary art exchanges. Curator \u003cstrong\u003eRoger Nelson\u003c\/strong\u003e of the National Gallery Singapore, illuminates on the symbolism of breast + stupa and its association with the female signs of life. 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